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| 1 | Once again, let me pause upon a memorable period of my life. Let
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| 2 | me stand aside, to see the phantoms of those days go by me,
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| 3 | accompanying the shadow of myself, in dim procession.
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| 4 | Weeks, months, seasons, pass along. They seem little more than a
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| 5 | summer day and a winter evening. Now, the Common where I walk with
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| 6 | Dora is all in bloom, a field of bright gold; and now the unseen
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| 7 | heather lies in mounds and bunches underneath a covering of snow.
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| 8 | In a breath, the river that flows through our Sunday walks is
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| 9 | sparkling in the summer sun, is ruffled by the winter wind, or
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| 10 | thickened with drifting heaps of ice. Faster than ever river ran
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| 11 | towards the sea, it flashes, darkens, and rolls away.
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| 12 | Not a thread changes, in the house of the two little bird-like
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| 13 | ladies. The clock ticks over the fireplace, the weather-glass
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| 14 | hangs in the hall. Neither clock nor weather-glass is ever right;
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| 15 | but we believe in both, devoutly.
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| 16 | I have come legally to man's estate. I have attained the dignity
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| 17 | of twenty-one. But this is a sort of dignity that may be thrust
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| 18 | upon one. Let me think what I have achieved.
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| 19 | I have tamed that savage stenographic mystery. I make a
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| 20 | respectable income by it. I am in high repute for my
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| 21 | accomplishment in all pertaining to the art, and am joined with
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| 22 | eleven others in reporting the debates in Parliament for a Morning
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| 23 | Newspaper. Night after night, I record predictions that never come
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| 24 | to pass, professions that are never fulfilled, explanations that
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| 25 | are only meant to mystify. I wallow in words. Britannia, that
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| 26 | unfortunate female, is always before me, like a trussed fowl:
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| 27 | skewered through and through with office-pens, and bound hand and
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| 28 | foot with red tape. I am sufficiently behind the scenes to know
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| 29 | the worth of political life. I am quite an Infidel about it, and
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| 30 | shall never be converted.
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| 31 | My dear old Traddles has tried his hand at the same pursuit, but it
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| 32 | is not in Traddles's way. He is perfectly good-humoured respecting
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| 33 | his failure, and reminds me that he always did consider himself
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| 34 | slow. He has occasional employment on the same newspaper, in
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| 35 | getting up the facts of dry subjects, to be written about and
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| 36 | embellished by more fertile minds. He is called to the bar; and
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| 37 | with admirable industry and self-denial has scraped another hundred
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| 38 | pounds together, to fee a Conveyancer whose chambers he attends.
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| 39 | A great deal of very hot port wine was consumed at his call; and,
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| 40 | considering the figure, I should think the Inner Temple must have
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| 41 | made a profit by it.
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| 42 | I have come out in another way. I have taken with fear and
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| 43 | trembling to authorship. I wrote a little something, in secret,
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| 44 | and sent it to a magazine, and it was published in the magazine.
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| 45 | Since then, I have taken heart to write a good many trifling
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| 46 | pieces. Now, I am regularly paid for them. Altogether, I am well
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| 47 | off, when I tell my income on the fingers of my left hand, I pass
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| 48 | the third finger and take in the fourth to the middle joint.
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| 49 | We have removed, from Buckingham Street, to a pleasant little
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| 50 | cottage very near the one I looked at, when my enthusiasm first
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| 51 | came on. My aunt, however (who has sold the house at Dover, to
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| 52 | good advantage), is not going to remain here, but intends removing
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| 53 | herself to a still more tiny cottage close at hand. What does this
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| 54 | portend? My marriage? Yes!
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| 55 | Yes! I am going to be married to Dora! Miss Lavinia and Miss
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| 56 | Clarissa have given their consent; and if ever canary birds were in
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| 57 | a flutter, they are. Miss Lavinia, self-charged with the
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| 58 | superintendence of my darling's wardrobe, is constantly cutting out
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| 59 | brown-paper cuirasses, and differing in opinion from a highly
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| 60 | respectable young man, with a long bundle, and a yard measure under
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| 61 | his arm. A dressmaker, always stabbed in the breast with a needle
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| 62 | and thread, boards and lodges in the house; and seems to me,
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| 63 | eating, drinking, or sleeping, never to take her thimble off. They
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| 64 | make a lay-figure of my dear. They are always sending for her to
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| 65 | come and try something on. We can't be happy together for five
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| 66 | minutes in the evening, but some intrusive female knocks at the
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| 67 | door, and says, 'Oh, if you please, Miss Dora, would you step
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| 68 | upstairs!'
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| 69 | Miss Clarissa and my aunt roam all over London, to find out
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| 70 | articles of furniture for Dora and me to look at. It would be
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| 71 | better for them to buy the goods at once, without this ceremony of
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| 72 | inspection; for, when we go to see a kitchen fender and
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| 73 | meat-screen, Dora sees a Chinese house for Jip, with little bells
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| 74 | on the top, and prefers that. And it takes a long time to accustom
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| 75 | Jip to his new residence, after we have bought it; whenever he goes
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| 76 | in or out, he makes all the little bells ring, and is horribly
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| 77 | frightened.
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| 78 | Peggotty comes up to make herself useful, and falls to work
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| 79 | immediately. Her department appears to be, to clean everything
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| 80 | over and over again. She rubs everything that can be rubbed, until
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| 81 | it shines, like her own honest forehead, with perpetual friction.
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| 82 | And now it is, that I begin to see her solitary brother passing
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| 83 | through the dark streets at night, and looking, as he goes, among
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| 84 | the wandering faces. I never speak to him at such an hour. I know
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| 85 | too well, as his grave figure passes onward, what he seeks, and
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| 86 | what he dreads.
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| 87 | Why does Traddles look so important when he calls upon me this
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| 88 | afternoon in the Commons - where I still occasionally attend, for
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| 89 | form's sake, when I have time? The realization of my boyish
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| 90 | day-dreams is at hand. I am going to take out the licence.
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| 91 | It is a little document to do so much; and Traddles contemplates
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| 92 | it, as it lies upon my desk, half in admiration, half in awe.
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| 93 | There are the names, in the sweet old visionary connexion, David
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| 94 | Copperfield and Dora Spenlow; and there, in the corner, is that
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| 95 | Parental Institution, the Stamp Office, which is so benignantly
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| 96 | interested in the various transactions of human life, looking down
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| 97 | upon our Union; and there is the Archbishop of Canterbury invoking
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| 98 | a blessing on us in print, and doing it as cheap as could possibly
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| 99 | be expected.
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| 100 | Nevertheless, I am in a dream, a flustered, happy, hurried dream.
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| 101 | I can't believe that it is going to be; and yet I can't believe but
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| 102 | that everyone I pass in the street, must have some kind of
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| 103 | perception, that I am to be married the day after tomorrow. The
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| 104 | Surrogate knows me, when I go down to be sworn; and disposes of me
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| 105 | easily, as if there were a Masonic understanding between us.
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| 106 | Traddles is not at all wanted, but is in attendance as my general
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| 107 | backer.
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| 108 | 'I hope the next time you come here, my dear fellow,' I say to
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| 109 | Traddles, 'it will be on the same errand for yourself. And I hope
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| 110 | it will be soon.'
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| 111 | 'Thank you for your good wishes, my dear Copperfield,' he replies.
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| 112 | 'I hope so too. It's a satisfaction to know that she'll wait for
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| 113 | me any length of time, and that she really is the dearest girl -'
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| 114 | 'When are you to meet her at the coach?' I ask.
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| 115 | 'At seven,' says Traddles, looking at his plain old silver watch -
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| 116 | the very watch he once took a wheel out of, at school, to make a
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| 117 | water-mill. 'That is about Miss Wickfield's time, is it not?'
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| 118 | 'A little earlier. Her time is half past eight.'
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| 119 | 'I assure you, my dear boy,' says Traddles, 'I am almost as pleased
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| 120 | as if I were going to be married myself, to think that this event
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| 121 | is coming to such a happy termination. And really the great
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| 122 | friendship and consideration of personally associating Sophy with
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| 123 | the joyful occasion, and inviting her to be a bridesmaid in
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| 124 | conjunction with Miss Wickfield, demands my warmest thanks. I am
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| 125 | extremely sensible of it.'
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| 126 | I hear him, and shake hands with him; and we talk, and walk, and
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| 127 | dine, and so on; but I don't believe it. Nothing is real.
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| 128 | Sophy arrives at the house of Dora's aunts, in due course. She has
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| 129 | the most agreeable of faces, - not absolutely beautiful, but
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| 130 | extraordinarily pleasant, - and is one of the most genial,
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| 131 | unaffected, frank, engaging creatures I have ever seen. Traddles
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| 132 | presents her to us with great pride; and rubs his hands for ten
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| 133 | minutes by the clock, with every individual hair upon his head
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| 134 | standing on tiptoe, when I congratulate him in a corner on his
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| 135 | choice.
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| 136 | I have brought Agnes from the Canterbury coach, and her cheerful
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| 137 | and beautiful face is among us for the second time. Agnes has a
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| 138 | great liking for Traddles, and it is capital to see them meet, and
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| 139 | to observe the glory of Traddles as he commends the dearest girl in
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| 140 | the world to her acquaintance.
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| 141 | Still I don't believe it. We have a delightful evening, and are
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| 142 | supremely happy; but I don't believe it yet. I can't collect
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| 143 | myself. I can't check off my happiness as it takes place. I feel
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| 144 | in a misty and unsettled kind of state; as if I had got up very
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| 145 | early in the morning a week or two ago, and had never been to bed
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| 146 | since. I can't make out when yesterday was. I seem to have been
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| 147 | carrying the licence about, in my pocket, many months.
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| 148 | Next day, too, when we all go in a flock to see the house - our
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| 149 | house - Dora's and mine - I am quite unable to regard myself as its
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| 150 | master. I seem to be there, by permission of somebody else. I
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| 151 | half expect the real master to come home presently, and say he is
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| 152 | glad to see me. Such a beautiful little house as it is, with
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| 153 | everything so bright and new; with the flowers on the carpets
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| 154 | looking as if freshly gathered, and the green leaves on the paper
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| 155 | as if they had just come out; with the spotless muslin curtains,
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| 156 | and the blushing rose-coloured furniture, and Dora's garden hat
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| 157 | with the blue ribbon - do I remember, now, how I loved her in such
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| 158 | another hat when I first knew her! - already hanging on its little
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| 159 | peg; the guitar-case quite at home on its heels in a corner; and
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| 160 | everybody tumbling over Jip's pagoda, which is much too big for the
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| 161 | establishment. Another happy evening, quite as unreal as all the
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| 162 | rest of it, and I steal into the usual room before going away.
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| 163 | Dora is not there. I suppose they have not done trying on yet.
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| 164 | Miss Lavinia peeps in, and tells me mysteriously that she will not
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| 165 | be long. She is rather long, notwithstanding; but by and by I hear
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| 166 | a rustling at the door, and someone taps.
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| 167 | I say, 'Come in!' but someone taps again.
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| 168 | I go to the door, wondering who it is; there, I meet a pair of
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| 169 | bright eyes, and a blushing face; they are Dora's eyes and face,
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| 170 | and Miss Lavinia has dressed her in tomorrow's dress, bonnet and
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| 171 | all, for me to see. I take my little wife to my heart; and Miss
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| 172 | Lavinia gives a little scream because I tumble the bonnet, and Dora
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| 173 | laughs and cries at once, because I am so pleased; and I believe it
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| 174 | less than ever.
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| 175 | 'Do you think it pretty, Doady?' says Dora.
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| 176 | Pretty! I should rather think I did.
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| 177 | 'And are you sure you like me very much?' says Dora.
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| 178 | The topic is fraught with such danger to the bonnet, that Miss
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| 179 | Lavinia gives another little scream, and begs me to understand that
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| 180 | Dora is only to be looked at, and on no account to be touched. So
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| 181 | Dora stands in a delightful state of confusion for a minute or two,
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| 182 | to be admired; and then takes off her bonnet - looking so natural
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| 183 | without it! - and runs away with it in her hand; and comes dancing
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| 184 | down again in her own familiar dress, and asks Jip if I have got a
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| 185 | beautiful little wife, and whether he'll forgive her for being
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| 186 | married, and kneels down to make him stand upon the cookery-book,
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| 187 | for the last time in her single life.
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| 188 | I go home, more incredulous than ever, to a lodging that I have
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| 189 | hard by; and get up very early in the morning, to ride to the
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| 190 | Highgate road and fetch my aunt.
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| 191 | I have never seen my aunt in such state. She is dressed in
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| 192 | lavender-coloured silk, and has a white bonnet on, and is amazing.
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| 193 | Janet has dressed her, and is there to look at me. Peggotty is
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| 194 | ready to go to church, intending to behold the ceremony from the
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| 195 | gallery. Mr. Dick, who is to give my darling to me at the altar,
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| 196 | has had his hair curled. Traddles, whom I have taken up by
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| 197 | appointment at the turnpike, presents a dazzling combination of
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| 198 | cream colour and light blue; and both he and Mr. Dick have a
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| 199 | general effect about them of being all gloves.
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| 200 | No doubt I see this, because I know it is so; but I am astray, and
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| 201 | seem to see nothing. Nor do I believe anything whatever. Still,
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| 202 | as we drive along in an open carriage, this fairy marriage is real
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| 203 | enough to fill me with a sort of wondering pity for the unfortunate
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| 204 | people who have no part in it, but are sweeping out the shops, and
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| 205 | going to their daily occupations.
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| 206 | My aunt sits with my hand in hers all the way. When we stop a
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| 207 | little way short of the church, to put down Peggotty, whom we have
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| 208 | brought on the box, she gives it a squeeze, and me a kiss.
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| 209 | 'God bless you, Trot! My own boy never could be dearer. I think
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| 210 | of poor dear Baby this morning.'
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| 211 | 'So do I. And of all I owe to you, dear aunt.'
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| 212 | 'Tut, child!' says my aunt; and gives her hand in overflowing
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| 213 | cordiality to Traddles, who then gives his to Mr. Dick, who then
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| 214 | gives his to me, who then gives mine to Traddles, and then we come
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| 215 | to the church door.
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| 216 | The church is calm enough, I am sure; but it might be a steam-power
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| 217 | loom in full action, for any sedative effect it has on me. I am
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| 218 | too far gone for that.
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| 219 | The rest is all a more or less incoherent dream.
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| 220 | A dream of their coming in with Dora; of the pew-opener arranging
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| 221 | us, like a drill-sergeant, before the altar rails; of my wondering,
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| 222 | even then, why pew-openers must always be the most disagreeable
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| 223 | females procurable, and whether there is any religious dread of a
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| 224 | disastrous infection of good-humour which renders it indispensable
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| 225 | to set those vessels of vinegar upon the road to Heaven.
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| 226 | Of the clergyman and clerk appearing; of a few boatmen and some
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| 227 | other people strolling in; of an ancient mariner behind me,
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| 228 | strongly flavouring the church with rum; of the service beginning
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| 229 | in a deep voice, and our all being very attentive.
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| 230 | Of Miss Lavinia, who acts as a semi-auxiliary bridesmaid, being the
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| 231 | first to cry, and of her doing homage (as I take it) to the memory
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| 232 | of Pidger, in sobs; of Miss Clarissa applying a smelling-bottle; of
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| 233 | Agnes taking care of Dora; of my aunt endeavouring to represent
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| 234 | herself as a model of sternness, with tears rolling down her face;
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| 235 | of little Dora trembling very much, and making her responses in
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| 236 | faint whispers.
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| 237 | Of our kneeling down together, side by side; of Dora's trembling
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| 238 | less and less, but always clasping Agnes by the hand; of the
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| 239 | service being got through, quietly and gravely; of our all looking
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| 240 | at each other in an April state of smiles and tears, when it is
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| 241 | over; of my young wife being hysterical in the vestry, and crying
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| 242 | for her poor papa, her dear papa.
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| 243 | Of her soon cheering up again, and our signing the register all
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| 244 | round. Of my going into the gallery for Peggotty to bring her to
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| 245 | sign it; of Peggotty's hugging me in a corner, and telling me she
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| 246 | saw my own dear mother married; of its being over, and our going
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| 247 | away.
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| 248 | Of my walking so proudly and lovingly down the aisle with my sweet
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| 249 | wife upon my arm, through a mist of half-seen people, pulpits,
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| 250 | monuments, pews, fonts, organs, and church windows, in which there
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| 251 | flutter faint airs of association with my childish church at home,
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| 252 | so long ago.
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| 253 | Of their whispering, as we pass, what a youthful couple we are, and
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| 254 | what a pretty little wife she is. Of our all being so merry and
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| 255 | talkative in the carriage going back. Of Sophy telling us that
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| 256 | when she saw Traddles (whom I had entrusted with the licence) asked
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| 257 | for it, she almost fainted, having been convinced that he would
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| 258 | contrive to lose it, or to have his pocket picked. Of Agnes
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| 259 | laughing gaily; and of Dora being so fond of Agnes that she will
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| 260 | not be separated from her, but still keeps her hand.
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| 261 | Of there being a breakfast, with abundance of things, pretty and
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| 262 | substantial, to eat and drink, whereof I partake, as I should do in
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| 263 | any other dream, without the least perception of their flavour;
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| 264 | eating and drinking, as I may say, nothing but love and marriage,
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| 265 | and no more believing in the viands than in anything else.
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| 266 | Of my making a speech in the same dreamy fashion, without having an
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| 267 | idea of what I want to say, beyond such as may be comprehended in
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| 268 | the full conviction that I haven't said it. Of our being very
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| 269 | sociably and simply happy (always in a dream though); and of Jip's
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| 270 | having wedding cake, and its not agreeing with him afterwards.
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| 271 | Of the pair of hired post-horses being ready, and of Dora's going
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| 272 | away to change her dress. Of my aunt and Miss Clarissa remaining
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| 273 | with us; and our walking in the garden; and my aunt, who has made
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| 274 | quite a speech at breakfast touching Dora's aunts, being mightily
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| 275 | amused with herself, but a little proud of it too.
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| 276 | Of Dora's being ready, and of Miss Lavinia's hovering about her,
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| 277 | loth to lose the pretty toy that has given her so much pleasant
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| 278 | occupation. Of Dora's making a long series of surprised
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| 279 | discoveries that she has forgotten all sorts of little things; and
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| 280 | of everybody's running everywhere to fetch them.
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| 281 | Of their all closing about Dora, when at last she begins to say
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| 282 | good-bye, looking, with their bright colours and ribbons, like a
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| 283 | bed of flowers. Of my darling being almost smothered among the
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| 284 | flowers, and coming out, laughing and crying both together, to my
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| 285 | jealous arms.
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| 286 | Of my wanting to carry Jip (who is to go along with us), and Dora's
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| 287 | saying no, that she must carry him, or else he'll think she don't
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| 288 | like him any more, now she is married, and will break his heart.
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| 289 | Of our going, arm in arm, and Dora stopping and looking back, and
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| 290 | saying, 'If I have ever been cross or ungrateful to anybody, don't
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| 291 | remember it!' and bursting into tears.
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| 292 | Of her waving her little hand, and our going away once more. Of
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| 293 | her once more stopping, and looking back, and hurrying to Agnes,
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| 294 | and giving Agnes, above all the others, her last kisses and
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| 295 | farewells.
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| 296 | We drive away together, and I awake from the dream. I believe it
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| 297 | at last. It is my dear, dear, little wife beside me, whom I love
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| 298 | so well!
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| 299 | 'Are you happy now, you foolish boy?' says Dora, 'and sure you
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| 300 | don't repent?'
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| 301 | I have stood aside to see the phantoms of those days go by me.
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| 302 | They are gone, and I resume the journey of my story.
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